Morning After the Storm

 

 

9 ¼ x 14 pastel painting on BFK Rives paper

Jan. 20-Feb. 20, 2025

Again, a friend posted and gave me permission to use her photo as a reference. The sun on the trees in the background, the curve of the river, and the blues of the scene in the foreground called for me to see what I can do with this. Trying to pick out a focal point is a challenge. My eye is drawn to many aspects of the scene.

I taped a sheet of 10 x 14 ½ paper to the sit-down easel and used a charcoal pencil to start putting in shapes. Then I used vine charcoal to sketch in some of the trees. After going back and forth a couple times, I changed the size to 9 ¼ x 14 and added beginning color. 

One of my issues is getting what I call the horizontals right when I’m doing the initial work freehand between the reference photo and the painting. I’ve even tried marking off thirds and I still get confused. Then again, I’m not trying to replicate the photo. It’s just for reference.

I struggle getting whites to stay white because the darker pastel dust flies around. And, so often, when I start to walk away, I’ll look back and see something to fix.

The work continued with layering and defining specific areas. I added to the water with dark blue, a lighter turquoise, and some black (in the two dark pools on the right.) I made ripples, shadows, and reflections in water and ice. I also added more orange for brightness in the trees.

 

I was stunned and pleased how the center area water looked shiny… like water should. I need to stay more on top of these things.

By Feb. 18, it was all about the detail. I struggled with the two dark open-water oval pools on the right. I put in more orange in the sunlit trees, used various shades of blue pastels and a charcoal pencil on more defined lines and trees. I signed it. Is it done?

 Of course, a couple days later, I picked at it a little more and finally called it finished for sure.

Original photograph taken by Tara Holdner and used with permission .